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<극락도>

2020. 장지에 채색, 130×162cm

<Paradise>

2020. Color on paper, 130×162cm

춘희

춘희는 문화 속 도상에서 자연스럽게 기본값으로 인식되는 남성의 모습을 여성으로 치환하는 작업을 합니다. 탱화의 형식으로 그린 토속신 마고할미와 극락의 여성들, 다양한 인종과 체형의 여성들로 채워진 일본 소년만화 스타일의 애니메이션, 여성 12지신과 타로카드의 도상 등 그의 작업은 남성중심적 이미지를 전복하는 새로운 스펙트럼을 제공합니다.

Chunhee

Chunhee's artwork challenges the cultural norm of using male figures as the default in iconography by replacing them with female figures. Whether it is Korean goddess Mago and Women’s Paradise painted in the form of Buddist Taenghwa, Japanese Shonen-style animations featuring women of various races and body types, or iconography of the twelve female zodiac animal guardians and women-centered tarot cards, her work offers a fresh perspective on subverting androcentric images.

Chunhee's artwork challenges the cultural norm of using male figures as the default in iconography by replacing them with female figures. Whether it is Korean goddess Mago and Women’s Paradise painted in the form of Buddist Taenghwa, Japanese Shonen-style animations featuring women of various races and body types, or iconography of the twelve female zodiac animal guardians and women-centered tarot cards, her work offers a fresh perspective on subverting androcentric images.

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