<디지 아이즈>
2018. 세라믹, 가변 설치
<Dizzy Eyes>
2018. Ceramic, dimensions variable by installation
<윈드벨>
2020. 세라믹, 가변 설치
<Wind-Bell>
2022. Mixed media, dimensions variable by installation
<프리즌>
2022. 혼합 매체, 가변 설치
<PRISON>
2022. Mixed media, dimensions variable by installation
<프리즌>
2022. 혼합 매체, 가변 설치
<PRISON>
2022. Mixed media, dimensions variable by installation
<커션>
2018. 세라믹, 24×14×20cm
<CAUTION>
2018. Ceramic, 24×14×20cm
박영선
박영선은 친근한 캐릭터를 통해 일상에서 느끼는 불안과 두려움을 이미지화하고 ‘집’이라는 공간에 초점을 맞춰 한국의 가부장적 집단가족주의 안에서 그가 느낀 단절과 고독을 드러냅니다. 이는 오랜 기간 가정에 전념하기 위해 작업을 중단했던 그의 경험을 바탕으로 합니다.
Park Youngsun
Park Youngsun uses endearing characters to visualize anxieties and fears of everyday life. Her particular
interest in the domain of “home” reveals the insecurities and sense of alienation she has felt within the
patriarchal and collectivist familism. This is strongly influenced by her personal experience of having to
stop her creative work for a long time to concentrate on her family.
Park Youngsun uses endearing characters to visualize anxieties and fears of everyday life. Her particular
interest in the domain of “home” reveals the insecurities and sense of alienation she has felt within the
patriarchal and collectivist familism. This is strongly influenced by her personal experience of having to
stop her creative work for a long time to concentrate on her family.